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Independently from the group/feed/item view hierarchy, which the user has set up via Google Reader, I d like to offer a nice overview (a separate UIView) of news items. Just like you don t know what s coming next when you re about to flip a page in a newspaper or what song iTunes will play next when shuffling, I d like my application to make the decision about what to present in my case, based on the importance. So what s a good way of giving an overview The immediate solution might be to display a table view sorted by importance so that the user, in theory, could just read all items starting from the top. It s not much of an overview, and it s a little bit ordinary.

Downloaded from Digital Engineering Library @ McGraw-Hill (www.digitalengineeringlibrary.com) Copyright 2004 The McGraw-Hill Companies. All rights reserved. Any use is subject to the Terms of Use as given at the website.

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Yet science seldom speaks with one voice. We can find other research, especially in psychology, that seems to contradict the conclusions of Simon, Klein, and Hogarth. Let s take a closer look, to see if we can resolve the differences. We recall that Simon equated creative problem solving with expert intuition that combines familiar elements. Yet a large body of psychology research defines creativity as just the opposite: making something new. This body of research has little overlap with research on intuition, thanks to the different definition of creativity. For creativity, we also have a recent review of research, Handbook on Creativity, by Robert Sternberg, that mirrors Hogarth s review of research on intuition. Sternberg defines creativity as the ability to produce work that is both novel and appropriate. Creative work is original, unexpected, and useful. Of course, if you look for things that are novel and original, you won t find expert intuition. And yet, even in Sternberg s Handbook there is one dissenting view, by Robert Weisberg. In his own work, Weisberg studied specific creative achievements in the arts for example, by Picasso and found that in each case they combined elements from earlier artists. So for Weisberg,18

N can be 11, 12, 2, 3, or 4; they are designed to transport a variety of payload types. When an STM-1 is formatted for the transport of virtual tributaries (known as virtual containers in the SDH world), the payload pointers must be modified. In the case of a payload that is carrying virtual containers, the pointer is known as an Administrative Unit type 3 (AU-3). If the payload is not structured to carry virtual containers but is instead intended for the transport of higher rate payloads, then the pointer is known as an Administrative Unit type 4 (AU-4). Generally speaking, an AU-3 is typically used for the transport of North American Digital Hierarchy payloads; AU-4 is used for European signal types.

To understand the SDH frame structure, it is first helpful to understand the relationship between SDH and SONET. Functionally, they are identical. In both cases, the intent of the technology is to provide a globally standardized transmission system for high-speed data. SONET is indeed optimized for the T-1-heavy North American market, whereas SDH is more applicable to Europe. Beyond that, however, the overhead and design considerations of the two are virtually identical. However, some key differences can be seen. Perhaps the greatest difference between the two lies in the physical nature of the frame. A SONET STS-1 frame comprises 810 total bytes for an overall aggregate bit rate of 51.84 Mbps, perfectly adequate for the North American 44.736-Mbps DS-3. An SDH STM-1 frame, however, designed to transport a 139.264-Mbps European E-4 or a CEPT-4 signal, must be larger if it is to accommodate that much bandwidth. It clearly won t fit in the limited space available in an STS-1. An STM-1, then, operates at a fundamental rate of 155.52 Mbps, enough for the bandwidth requirements of the E-4. This should be where the d j vu starts to kick in. Perceptive readers will remember that 155.52 Mbps number from our discussions of the SONET STS-3, which offers exactly the same bandwidth. An STM-1 frame is shown in Figure 3-67. It is a byte-interleaved, 9-row by 270-column frame, with the first 9 columns devoted to overhead and the remaining 261 devoted to payload transport. A comparison of the bandwidth between SONET and SDH systems is also interesting. The fundamental SDH signal is exactly three times the bandwidth of the fundamental SONET signal, and this relationship continues all the way up the hierarchy.

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