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FIGURE 10.22 The trick to using the Clone Stamp on a pattern like this is to sample and paint in places where the pattern is the same. For example, here I sampled a corner and then began painting where a corner should be. After that relationship is established, everything falls into place so long as I continue to use the same sample. (I start low so I can copy and paint three boards as I move upward without resampling.)

the other. In Scherbius s Enigma machine these were two modi cations to Hebern s concept:

Once you decide on a layout, you may want to consider other styles or colors available in the SmartArt Tools Design SmartArt Styles group. Figure 22.12 shows the diagram after you choose a different style and changing the color.

may be carried out by Gaussian elimination as follows. The matrix A and the vector y are both premultiplied by the same sequence of elementary row transformations A ! O1 O2 Om A y ! O1 O2 Om y Oi [ Rr, s (v), Mr (u), Er, s , such that I O1 O2 Om A where I is the n n indentity matrix. It follows that x O1 O2 Om y and A 1 O1 O2 Om for 1 i m,

caption-side: top | bottom | left | right;

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Maybe that white box is a bit too big or small No problem it s a shape layer so you can resize is as much as you want without losing any quality. Select the Box layer in the Layers palette then choose Edit Transform, or press Ctrl+T ( +T on the Mac). Click a transform handle at a corner or edge of the white box in the document window; then drag with the mouse to resize the box. Press Enter (Return on the Mac) when you re happy with the new size.

Here s what has happened. The Camping and Store fields have been placed in the Values area because both of these fields contain numeric data. The Region and Date fields have been placed in the Row labels area because these fields contain text and date data, respectively. The PivotTable is not at all what you want in fact, it is essentially useless. What s needed is to move some fields to different areas of the report. You can move a field two ways:

Ever start working on a file only to realize you re working on the wrong one If you make this or any other mistake that makes you wish you could go back to the original version when working with a checked-out file, don t worry. Even if you ve saved your changes locally, you can choose Site Undo Check Out (or select Undo Check Out from the Site button on the Files panel toolbar) to retransfer the posted file from the remote site. The local file is made read-only, and the file is no longer checked out under your name.

For example, the application in Listing 9.2 defines two paragraphs. Each paragraph has its first line indented 20 pixels and justifies the text to expand and fill the entire line. The first paragraph has a marginBottom setting of 10 pixels to add vertical white space between the paragraphs.

In Flex 4, you can apply all font styles to all text, regardless of whether the application is using a device font or an embedded font.

FIGURE 18.34 Quickly turn a color photo to black and white or a duotone, using any one of the presets and/or the channel sliders.

A print designer chooses the specific color inks and paper with which to print, giving the designer complete control over how a reader sees it. A Web designer has no way of knowing what kind of monitor a reader is using to view his or her Web site a strong yellow color on one screen may look orange or green on another monitor. Monitors also display at different resolutions (older machines may be set to 1024 768, while newer ones may be 1600 1080 or higher), meaning Web designers must make their Web sites work for all of them. A Web designer is always at the mercy of the Web browser. In our ever-changing world, you can t know what a reader will use to view your Web site. When the Web first became popular, Netscape Navigator was the browser of choice. Microsoft s Internet Explorer is by far the most prevalent browser out there now. Apple introduced

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